We copy over this pattern to our clap by holding down the option key while clicking and dragging it to the clap.įinally, we apply some group processing to add some more bite to the drums. We press it a couple of times until it creates a nice snare fill for us to use for the final bar of this beat. We also highlight the last bar of the snare and using the Beatform Sequencer in the bottom right of Liquid Rhythm we select the Surprise Me button, which randomises the hits. We select the one representing 16th notes and drag it onto the first bar section for the ‘Shaker 808’ hit. This offers a series of different rhythms we can use for individual sounds. On the right of the app we can see the BarForm list. We now switch back to the Liquid Rhythm app to add some extra elements to our beat. We also add an extra kick in the off beat at the end of the four bars to provide a subtle fill to transition back into the next section. There are a couple of hits of the ‘CH 808’ closed hat at the end of the four bars which sound slightly out of place, so we delete those. We do this on the upbeats at the start of every two bars, and we also remove the clap that is on the downbeat of bar one. It would also sound better if there was a clap on every upbeat, following the snare. We drag Snare 808 to where Kick Dirt is, which swaps them over. One plays on every beat (‘Kick Round’) which is fine, but Kick Dirt is playing a snare pattern on every upbeat and is clashing quite badly. For starters we need to swap ‘Kick Dirt’ on the Drum Rack, as at the moment we have two kicks playing. We could do with making a couple of tweaks here and there to improve the feel of this beat. There’s some really nice interplay between the open hat and cymbals, and the kick and clap have a nice pattern. We double-click on loop 452 to load it in. Browsing through some of the loops in the electro category, we can hear these rhythms are working well with our 808 drum sounds. You can load a loop by double-clicking on the Loop in the list. Each genre has a number of different beat templates, and the beauty of using the Max for Live device means we can use these templates to trigger our 808 kit (you should see your drum rack samples listed in the Arranger section of Liquid Rhythm). There are a number of ways we can build beats and rhythms with Liquid Rhythm but one of the quickest ways to get some ideas down is to use the Loop Library on the left hand side of the plugin. Now we’re ready to use Liquid Rhythm to trigger our 808 kit. In Ableton, we create an empty MIDI clip in session view by right-clicking on the channel and selecting Insert MIDI Clip. If you switch back to the Liquid Rhythm app you’ll see a screen asking to select a MIDI clip in Ableton’s session view to begin editing. These samples have been taken from the Samples From Mars SP-1200 From Mars sample pack. Once we have our Max for Live Liquid Rhythm app loaded, we then load a Drum Rack onto the same MIDI channel, and load our 808 kit. Hit Allow to set up a connection between Live and Liquid Rhythm so they work intelligently in tandem You will then be asked if you want the application “LiquidRhythm.app” to accept incoming network connections. Create a MIDI track and then load Liquid Rhythm’s Max For Live MIDI effect. We begin by loading a new Ableton project. Pull the project from Blend below to download the samples. In this Beat Dissected we’ll be building this 808 house beat, using a kit from Samples From Mars’ SP-1200 From Mars pack and WaveDNA’s Liquid Rhythm to provide the intuitive programming. Just copy our grid in your own software to recreate the loop. In the latest Beat Dissected, we construct an electro-tinged house beat using Roland TR-808 samples.īeat Dissected is a regular series in which we deconstruct drum patterns, showing you how to program them in any DAW.
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